Nelsons’ contract renewal declined by BSO; conductor’s 12-year tenure to end in 2027

Andris Nelsons conducted his inaugural concert as Boston Symphony Orchestra music director in 2014 (here with soprano Kristīne Opolais and tenor Jonas Kaufmann). Photo: Chris Lee
In a surprise announcement on Friday, the Boston Symphony Orchestra stated that Andris Nelsons will conclude his 12-year tenure as music director at the end of the 2027 Tanglewood season. The 47-year-old has been chief conductor of the BSO since 2014.
The orchestra’s statement suggested that, though Nelsons’ rapport with the rank-and-file of players appears strong, there is turmoil behind the scenes. In a statement on behalf of the BSO’s board, president and chief executive officer Chad Smith cited a lack of “align[ment] on future vision” as a cause for the breach.
Nelsons’ unexpected departure opens up the BSO’s directorship for the first time since James Levine abruptly resigned the post in 2011. Patrons may rightly shudder at the memory of those years, which saw the orchestra faced with frequent cancellations and sometimes demoralized playing.
The current situation is further complicated by the imminent departure of director of artistic planning Anthony Fogg, who is retiring at the end of the current season.
As was also the case fifteen years ago, there doesn’t seem to be a clear heir apparent in the wings, so the ensemble likely faces at least one and possibly more music director-less seasons. Nevertheless, there is no shortage of possible successors.
Among them, Dima Slobodeniouk is the only conductor besides Nelsons to lead the BSO in multiple weeks of subscription concerts over the last two years. His programming has been fresh and the orchestra has responded vividly to his leadership. He’ll be back to close the orchestra’s current season with music by Adams and Beethoven (April 30-May 2).
Additionally, this season’s programming has reflected CEO Smith’s ties to the Los Angeles Philharmonic. One often-talked-about candidate for the top job with an American orchestra is that group’s former principal guest conductor Susanna Mälkki. Her return to Symphony Hall next month looms that much bigger on the calendar (April 16-18).
Another conductor deserving attention is Karina Cannellakis, who has demonstrated an instinctive feel for invigorating programming and delivering excellent results in her stands in Boston and at Tanglewood since her debut at the latter venue in 2021. Other recent guests who have left strong impressions include Philippe Jordan, Anna Rakitina, Elim Chan, and Joana Mallwitz.
Whoever gets the job will have big shoes to fill. Nelsons is the BSO’s third-longest-tenured music director and, though his genial personality sometimes compensates for interpretive shortcomings, he has succeeded in broadening the orchestra’s repertoire and has proven a strong proponent for a wide cross–section of contemporary voices. Though there have been ups and downs, his traversals of the Austro-Germanic canon have included some conspicuous successes.
What’s more, the Latvian-born maestro’s thirteen years with the BSO saw the group’s reemergence as a force in the classical recording industry. The pairing’s recordings of the complete Shostakovich symphonies and concerti garnered multiple awards. Most recently, their taping of Olivier Messiaen’s Turangalîla-Symphonie for Deutsche Grammophon took home the Grammy Award for Best Orchestral Recording last month.
Nelsons, who is also kapellmeister of the Gewandhausorchester Leipzig, has been increasingly busy conducting in Europe, with regular appearances in Berlin and Vienna. He is currently leading the Vienna Philharmonic Orchestra on an extended U.S. tour (which visited Boston on Tuesday) and is slated to conduct Mahler’s Symphony No. 3 with them in May.
The future of the BSO’s years-long partnership with Nelsons and the Gewandhausorchester was not addressed in Friday’s announcement.
The full text of the BSO’s communique is copied below.
Dear BSO Community:
We’re writing to share an important update with you that Andris Nelsons will conclude his tenure as Music Director of the BSO at the end of the 2027 Tanglewood season. The decision to not renew his contract was made by the BSO’s Board of Trustees because, beyond our shared desire to ensure our orchestra continues to perform at the highest levels, the BSO and Andris Nelsons were not aligned on future vision.
We are immensely grateful for Maestro Nelsons’ 13 years of dedicated service to the BSO, and his many contributions in his role as both Music Director, and as Head of Conducting at the Tanglewood Music Center. We look forward to properly celebrating and honoring his tenure throughout the 2026-2027 season.
As we work to chart a course for our future that puts our beloved orchestra in a position to thrive in the years ahead, we and Maestro Nelsons are committed to ensuring a smooth, professional conclusion to his tenure as Music Director so that we can continue our vital work together of making music at the highest level of excellence, and serving as an artistic and civic pillar in Boston, the Berkshires, and beyond.
The Trustees of the Boston Symphony Orchestra
Chad Smith, President and Chief Executive Officer
Posted in News








Posted Mar 06, 2026 at 9:21 pm by Sanford Press
Haven’t they gotten more than one Grammy under Nelson’s? Le arti sono volubili
Posted Mar 07, 2026 at 2:00 pm by Tom Phillips
What an imbecilic decision.
Posted Mar 08, 2026 at 1:13 am by Robert Howe
Disappointed, but not surprised. Nelsons has had too much on his plate for some years. There’s always Leipzig.
Posted Mar 08, 2026 at 12:38 pm by Frederic Boloix
It seems a “cruel and unusual” punishment, that Maestro Nelsons (reportedly) only found out about this “head on a pike” decision via the above article. This begs the question: what is really going on?
Posted Mar 13, 2026 at 3:59 pm by Thoma Tallis
“Not aligned on future vision.” What the hell does that mean? Mealy-mouthed and meaningless words.